Madison Square Garden

1974-04-22 Grand Funk Railroad / Suzi Quatro

Madison Square Garden

I went to my first rock show with a friend, accompanied by his father, after begging our parents for awhile. We watched Suzy Quatro prance in front of screaming fans in her high heeled space suit while my friend’s dad in his business suit looked on, unimpressed.

At some later point in time, I better understood what Elton John’s “Benny and the Jets” was all about, and it forever reminded me of my first rock show. Suzi Quatro did have electric boots, ya know.

The Rolling Stone Encyclopedia of Rock & Roll (Fireside edition, 2005) calls Grand Funk Railroad the most commercially successful heavy-metal band of that era (the first half of the 70s); the band compiled 11 gold or platinum albums and sold 20 million albums overall, earning its success through extensive touring. Produced by Todd Rundgren, their big hit album “We’re an American Band” had come out the year before this show, with the title track becoming a #1 hit record on AM radio. Rolling Stone‘s summary also notes that in 1971 Grand Funk played in a venue near and dear to me which (by that time) I had been to several times - Shea Stadium. The tickets for that 2 day run supposedly broke the Beatles’ record for ticket sales at Shea.

1975-02-24 Rod Stewart & Faces / Blue Oyster Cult

Madison Square Garden

Rod Stewart & Faces at Madison Square Garden, 2/24/1975. In view here, Ronnie, Rod and Mac.

Rod Stewart & Faces at Madison Square Garden, 2/24/1975. In view here, Ronnie, Rod and Mac.

The Faces playing at MSG in front of a wall of Ampeg amps, similar to what the Stones’ 1975 tour set-up would look like.Ian McLagan looked kind of small sitting at his Steinway Concert Grand. Mac apparently couldn't get a clavinet in white to match …

The Faces playing at MSG in front of a wall of Ampeg amps, similar to what the Stones’ 1975 tour set-up would look like.

Ian McLagan looked kind of small sitting at his Steinway Concert Grand. Mac apparently couldn't get a clavinet in white to match the Hammond case, the Steinway and the candles. Kenny Jones is playing his plaid drum set on the riser.

Marcal-Faces-2.jpg
Rod and Ronnie singing together as Mac plays by candlelight. MSG 2/24/1975.

Rod and Ronnie singing together as Mac plays by candlelight. MSG 2/24/1975.

I had listened to many of the earlier Rod Stewart and Faces albums and singles .... I bought the "Coast to Coast" live album after reading a review in Circus magazine in 1974.  I saw them appear on "Don Kirshner's Rock Concert"  and "In Concert" on TV - these shows featured the hot bands in the early 70s - and I taped a radio broadcast (on the King Biscuit radio show) featuring "Twisting the Night Away" and “Sweet Little Rock and Roller" from one recent show.  The Faces were really big at the time and I looked forward to this day intensely for many months - it would be my first trip to the Garden in the big City without parental supervision.  A winter rain fell as we got there and went outside from Penn Station. I had brought my camera and telephoto lense with me, and don’t recall any problem getting them in.

In later years I would see both Ronnie Wood and Ian McLagan, who were then members of the Faces, play with the Rolling Stones, and would see Kenny Jones with the Who. 

Mac, 2 candles, an ashtray on a white Steinway concert grand, and Rod in satin with his mic stand. Rod Stewart & Faces at MSG, 2/24/74

Mac, 2 candles, an ashtray on a white Steinway concert grand, and Rod in satin with his mic stand. Rod Stewart & Faces at MSG, 2/24/74

And not to forget Blue Oyster Cult, I did get some photos of them with the dry ice smoke machines in full operation.. Much later on Will Farrow would play the cowbell to "Don't Fear the Reaper" on SNL. But even better, I would catch Dave Matthews Band when they played a version of the song at the 2011 DMB Caravan shows, with Tim Reynolds killing it on the guitar solo.

I shot some of these photos from the far side of MSG with my 200mm telephoto lense, shooting Kodak Tri-X film that I developed at home.

Blue Oyster Cult with the smoke machine going.

Blue Oyster Cult with the smoke machine going.

Marcal-BOC-2.jpg

Below: Tour Program:

1975-06-23 The Rolling Stones

Madison Square Garden

I got home from Jr High School one afternoon and started listening to my favorite local radio station, WLIR.  The Stones announced the 1975 Tour of the Americas - with tickets going on sale that same day. 

I listened live on the radio when  the Stones came out on a flatbed truck on Fifth Avenue at lunchtime to play a version of Brown Sugar to startled businesspeople on their lunch hour, and kick off the tour. 

I waited impatiently for my Mom to get home so that I could ask her to drive me to get tickets - the closest ticketmaster outlet being at a record store in Lynbrook, NY called Frog's.  She took me over there around 2.30pm and already the line wrapped around several blocks.  I stayed on line into the evening (she left and came back later) and I finally purchased two tickets at around 10.30pm. There was nothing left except the highest sections of the Garden but I was still totally excited. I was 14 years old and knew I would be going to see the greatest rock band in the world, at Madison Square Garden. 

On this tour Ronnie Wood joined for the first time (I had seen him already with Faces);  the flower pedal stage was used - it opened at the beginning (to the opening bars of Honky Tonk Woman) to reveal Mick and the Stones inside, before Jagger rolled down the front pedal as it slowly opened further; the inflatable fallic balloon made an appearance during Star Star. The incomparable Billy Preston played keyboards. Later in the show when the band was revving on all cylinders, during Brown Sugar and Jumpin Jack Flash they simply turned on all of the house lights as everyone went bonkers.

Below: Creem magazine article on the 1975 Tour, click arrows to browse pages.

1975-11-21 Peter Frampton / Dave Mason

Madison Square Garden

Dave Mason opened this show, and we walked in to see the stage with an elaborate set incorporating themes from his latest album, Split Coconut.  But, at the time, I had little familiarity with Mason; it was only later that I became a big fan of Traffic.

My friends and I were there mainly to see the headliner, Peter Frampton, for the second time that fall, coming close on the heels of the Nassau Coliseum show.

1977-07-01 Pink Floyd

Madison Square Garden

1977-4.jpg

It was a major rock concert event when Pink Floyd toured its new Animals album in the summer of 1977, and this was performance #1 in NYC, as denoted by the stub.

During the Animals tour, Floyd played that album in its entirety, then the Wish You Were Here album in its entirety, and then a couple of Dark Side numbers for the encore . With Animals, the order didn’t follow the album; the show began with a jaw-dropping rendition of "Sheep," followed by Pigs on the Wing Part 1. During the guitar-chord sequence out of Sheep, what appeared to be giant sheets streamed down behind the band, in sync with the jamming guitar chords ... an opener one could not easily forget! (As noted in the next post there’s now a good quality audience recording of N2 posted online, the Animals set ripping with intensity.)

The classic Fender Rhodes electric piano intro to “Sheep” by Rick Wright opened the first song and the show. At only 30 minutes in to the show, you were already blown pretty far away by the intensity of Sheep and then all of Dogs, with its rousing dueling lead guitar parts played by Gilmour and Snowy White and its swirling light show sequence at the end.

With the song Pigs, a big flying piggy was cut loose in the Garden, and Gilmour cut loose, playing blazing leads. Roger Waters pointed at the flying pig, asked the crowd whether they like his piggy, and proclaimed proudly what a big piggy it is.

On the first night I sat in section 133 of the old MSG, just above the main walkway that went all the way around the middle of the arena. In the front of those sections there was a white concrete barrier at the corners of the stairs separating the first rows of the section from the people walking on the main walkway. In those days lots of illegal fireworks were available in Chinatown in the days leading up to the 4th of July each year. People were lighting off firecrackers inside the venue, which made it a somewhat scary and tense scene, and we hoped that the concrete barriers would help shield us should anyone light off some explosive in the aisle... During the break a guy started going to the front of the sections, yelling that if he sees anyone light a firecracker he's going to beat them up. Not the most relaxing way to prepare your mind for the experience of the entire "Wish You Were Here" album coming up during the second set.

On the N2 recording you can hear how bad it was - fireworks going off during softer sections of songs, like the mellow bluesy section they added to the jam outro from Pigs. People started to boo the fireworks and culprits. But the performance still drips with intensity.

Several nights later at MSG, someone notoriously threw a firecracker or other explosive on the stage during the band's performance of "Pigs on the Wing," at which time Roger Waters stopped the band and asked the audience "Where's the stupid mother__ who just did that?" .... and these events contributed to the themes that Waters addressed in the next Pink Floyd album, The Wall.

1977-07-02 Pink Floyd

Madison Square Garden

1977-3-4.jpg

I sat with a friend in some amazing center/left floor seats for this show, Night 2 in NYC.

Among other things, the movies during “Wish You Were Here” were especially captivating up close. Vivid recollections remain of looking up at Gilmour playing the Fender lap steel guitar while the lights flashed and smoke billowed up during the intense jam with Rick Wright’s synthesizer leads during the second part of Shine On.

Before the show I had a good look at Wright's keyboard rig. I saw he appeared to have two of the same moog synths side by side on top, and a total of 26 keyboards.

Recently a good quality audience recording of this show (called “Audiophile Edition”) was posted online. You can hear the fireworks going off as the show opens and then well into Sheep and during quiet segments of the show. Aside from that problem though, the recording is kind of, like woahhh …, freakishly, religiously incredible. Gilmour plays some of the most classic rock guitar to be found anywhere. Welcome to the (1977 time travel) machine.

1979-01-07 The Grateful Dead

Madison Square Garden

This was the very first show ever played by the Dead at MSG .... the shows had been rescheduled from the Fall of 1978 when Jerry was ill. 

I sat in the row directly behind the soundboard and - very coincidentally - met members of the Dead's crew, including Dan Healy, before the show and at the break.  I say “coincidentally” because it was a particularly bad night for them as they had some bad sound problems that caused a lot of aggravation to the crew. In the second set an awful loud screeching feedback suddenly came from the PA - and provoked a mad scramble by everyone at the soundboard to try to find the source of the problem; they were running around and checking all of the wire connections that ran along the floors even. They were just frantically scrambling, trying to find the problem, as the Dead played on through NFA and then Black Peter.  I am not sure what the culprit was but it was a level 1 emergency for the sound crew that night.

 

 

 

1991-09-08 The Grateful Dead

Madison Square Garden

My US Open mens final ticket stub from that day.

During the afternoon of this day I went to the US Open Tennis Mens Finals and watched Stephan Edberg systematically destroy Jim Courier with his lightning-fast serve and volley game. The official start time of the mens finals was listed as 1pm, but I don’t think it started on time. During the match my companion and I had moved into court-side seats because someone nice had arranged for us to sit there, just a few rows up off the court.

1991-2 additional-4.jpg

So it was a little difficult trying to explain how much I appreciated that when I also knew we had to leave early in order to make it to MSG for this Dead show on that evening. We arrived a little late but were settled in our seats by the time they played a smoking version of Big River, a few songs into the first set.